• The EOS C100 Mark II is a compact solution for any project happening on the fly—whether you’re shooting an event, making an independent film, or capturing quick moving footage for a documentary. This second-generation camera’s Canon Super 35mm CMOS sensor offers greater precision and control, plus the ability to record a variety of frame rates and codecs. The innovative, continuous autofocus technology of Canon’s Dual Pixel CMOS virtually eliminates blurred images, while making transitions smooth and natural. The combination of the Canon Super 35mm CMOS and DIGIC DV4 processor yield a very high signal-to-noise ratio that enables recordings with great detail, as well as a dynamic range—even in minimal light—with up to 12 stops. The camera’s new ergonomic re-design brings a larger, tiltable electronic viewfinder and ultra-comfortable pistol handling.
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  • The EOS C100 Mark II is a compact solution for any project happening on the fly—whether you’re shooting an event, making an independent film, or capturing quick moving footage for a documentary. This second-generation camera’s Canon Super 35mm CMOS sensor offers greater precision and control, plus the ability to record a variety of frame rates and codecs. The innovative, continuous autofocus technology of Canon’s Dual Pixel CMOS virtually eliminates blurred images, while making transitions smooth and natural. The combination of the Canon Super 35mm CMOS and DIGIC DV4 processor yield a very high signal-to-noise ratio that enables recordings with great detail, as well as a dynamic range—even in minimal light—with up to 12 stops. The camera’s new ergonomic re-design brings a larger, tiltable electronic viewfinder and ultra-comfortable pistol handling.
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  • Two years ago, Aputure revolutionized the industry with the 300D, by creating a powerful and compact LED fixture that could be modified easily. Filmmakers from around the world loved the light’s capabilities, but Aputure knew they could enhance the light even more. So we listened and went back to the drawing board. Powered by user feedback, the new and improved 300D Mark II is 20% brighter, more durable, more portable, and more intelligent than the original 300D. Change the way you light. Brightness (average): 300dii: 11000lux @1m; 1300lux @3m; 550lux @5m 300dii w/ reflector: 45000lux @1m; 3500lux @3m; 1200lux @5m 300dii w/ fresnel 2x max flood: 38000lux @1m; 5000lux @3m; 1900lux @5m 300dii w/ fresnel 2x max spot: 80000lux @1m; 9500lux @3m; 3500lux @5m
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  • The edelkrone SliderPLUS v5 PRO Long is designed with movable rails that travel during a slide to give you extra travel distance while keeping the slider compact. When used on the ground or other surface, it has a travel length of 1.3' and supports up to 40 lb. Mounted on a tripod, it provides a travel length of 2.6' with up to 20 lb loads supported, meaning you can work with heavy camera rigs. The movable design also works for dolly shots, because since the rails move along with the carriage, they won't get in the shot when you dolly in and out. The SliderPLUS v5 PRO Long is a manual ball bearing slider, but it supports the optional Slide Module v3 attachment for motion control, and other edelkrone motorized add-ons can be incorporated for fully synchronized multi-axis motion control operated via a single iOS/Android app. When paired with the Slide Module v3, the SliderPLUS v5 PRO Long can be mounted on a tripod at an incline of up to 22.5° with up to 5.5 lb loads.
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  • Introducing the Blackmagic ATEM Mini Pro ISO, a new low-cost live production switcher with a 5 stream recording engine that allows all video inputs to be recorded allowing a live production to be edited after the event. This allows users to get a clean feed of all inputs and use edit software multi-cam features for later editing. ATEM Mini Pro ISO also records all audio files, media pool graphics and a DaVinci Resolve project file, so a live production can be opened and edited with a single click! ATEM Mini switchers make it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Skype or Zoom. Simply connect ATEM Mini and customers can switch live between 4 high quality video camera inputs for dramatically better quality images. Or connect a computer for PowerPoint slides or gaming consoles. The built in DVE allows exciting picture in picture effects, perfect for commentary. There are loads of video effects too. All ATEM Mini models have USB that works like a webcam so customers can use any streaming software while the ATEM Mini Pro model adds live streaming and recording to USB disks. There's also HDMI out for projectors. Microphone inputs allow high quality desktop and lapel mics for interviews and presentations. ATEM Mini’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. On the ATEM Mini Pro model customers also get buttons for record and streaming control as well as output selection buttons that let customers change the video output between cameras, program and multiview. On the rear panel there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out plus an HDMI "aux" output for program video. This model adds recording of up to 5 separate H.264 video streams in real time. That's a clean feed of all inputs and plus the live program. A DaVinci Resolve project file is also saved so customers can open their live production to adjust edits, change shots, remix audio and adds color correction. The ATEM Mini Pro ISO model lets customers edit their live event because it can record 5 video streams, including clean feeds of all inputs and the program recording, all at the same time. Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing their show with new color grades, effects and graphics. Even the audio sources are all recorded so customers can professionally remix their audio.
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  • With its large, bright color-accurate 19" LCD screen and 4K recording capabilities, the Atomos Sumo 19" HDR/High Brightness Monitor Recorder/Switcher can be implemented to enhance professional video workflows in both production and post-production. On set, the Sumo's HDR capabilities enable cinematographers to realize more of a cinema camera's dynamic range when shooting in log or raw formats. All the built-in monitoring tools are also compatible with the HDR rendering, updating to accommodate the larger dynamic range. Additionally, the Sumo can record incoming DCI and UHD 4K video in various flavors of Apple ProRes or AVID DNxHR to Master Caddy II storage media. With supported cameras, ProRes Raw/Raw HQ recording is also possible, for more flexibility in post-production. The AtomOS 9.2 firmware update enables SDI quad-HD switching and five-channel recording, which allows you to record and switch up to four ISO channels in a resolution up to 1080p60, as well as recording the program. An Apple Final Cut formatted XML is also created when using multistream recording, making it easy to edit your program in post. Back in the studio, the HDR capabilities of the Sumo are again beneficial; enabling editors and colorists to see deeper into the captured image information. The 10-bit image processing, combined with the 10-bit FRC capable LCD panel, shows subtle gradations in recorded footage whether playing back directly from recording media or a connected computer. The display itself can be calibrated to maintain color accuracy over the Sumo's lifetime.
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  • The EOS R6 full-frame mirrorless camera is designed to meet the demands of both photographers and video content creators who want a strong and versatile camera to keep up with their active lives. It can go from photographing high-speed action sports to filming 4K cinematic video with ease thanks to its high-performance CMOS sensor and DIGIC X image processor. The EOS R6 features the same base image sensor and image processor as the EOS-1D X Mark III, enabling a native ISO range of 100-102,400. With high-speed continuous shooting of up to 12 fps with the Mechanical shutter and up to 20 fps with Electronic "silent" shutter, the EOS R6 can keep up with just about any fast moving subject. Combined with the new Dual Pixel CMOS AF II system with approx. 100% coverage of the frame, and 1,053 Automatic AF Zones, the EOS R6 will confidently follow elusive subjects at 20fps for sharp images. Tracking subjects is easy and intuitive with the ability to track people using Eye, Face and Head Detection AF, or when tracking the whole body, face or eye of cats, dogs, or birds with Animal Detection AF. With the new 5-axis In-Body Image Stabilizer, up to 8-stops of shake correction is possible with both non-stabilized and optically image-stabilized lenses, opening up many more creative opportunities for incredibly stable lower light photo or video content creation. Those looking for creative cinematic video options will appreciate frame rates including 4K 60P and Full HD 120P with the option of internally recorded 4:2:2 10-bit Canon Log or HDR-PQ recording. And the inclusion of Dual SDXC UHS-II card slots combined with Wi-Fi® and Bluetooth® allows for multiple transfer and automatic backup options, making the EOS R6 ready when you are.
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  • Transmit and receive images up to 4Kp30 via HDMI at a line-of-sight distance of up to 750ft (228m) with no image delay (>0.001sec).
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  • Ideal for group shots or larger sets,, the 8x8' Pro Studio Solutions Giant Sun Scrim Collapsible Frame Diffusion Kit from FotodioXis a kit aimed at helping you manage contrast and your quality of light. The kit comes with a 8x8' aluminum frame, a 2-stop diffusion panel, a set of bungee cords to secure the panel, 2 clamps for mounting to separately purchased grip heads, and a carrying case for storage and transport.
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  • Add a jib to your production for smooth, sweeping pan, tilt, and diagonal shots using the JibONE Motion Control Jib Tripod Attachment from edelkrone. The JibONE mounts onto a tripod and provides motorized tilt and pan functions for camera rigs up to 11 lb. It is constructed from aluminum with stainless steel components, which create a strong, durable frame. Operation is virtually silent and smooth, and while it is motorized and can be controlled remotely, it can also be operated manually.
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